This site is home to Alea Publishing & Recording, specializing in music for the bass clarinet.
We offer a growing catalog of creative, artistic transcriptions and new works for bass clarinet solo & ensemble.
About the Work
Enflame (2013) is a dramatic two-movement work for solo bass clarinet by American composer and percussionist Joe W. Moore III. The work, dedicated to clarinetist Rachel Selice, makes effective use of the wide range of the instrument, and yet does not require an extended-range instrument, nor does it make demands of the altissimo register. With its relatively short duration, the piece makes for a versatile addition to the repertoire of the college or professional player. Solo Score: 5 pages, spiral bound.
About the Composer
Dr. Joe W. Moore, III currently serves as Assistant Professor of Percussion at the University of Texas Rio Grande Valley. Prior to this, he served as Director of Percussion Studies at the University of Texas at Brownsville. Moore received the Bachelor of Music degree from the University of Central Florida, the Master of Music degree from the University of South Carolina, and the Doctor of Musical Arts degree with a minor in composition from Louisiana State University. His primary percussion teachers include Jeff Moore, Kirk Gay, Scott Herring, Jim Hall, Brett Dietz and Troy Davis. His composition teachers include Jay Batzner, Brett Dietz, and Dinos Constantinides.
Active as a soloist and chamber musician, Moore performs as a member of the Omojo Percussion Duo and the Black Sheep Percussion Quartet. Most recently, the Omojo Percussion Duo performed as featured artists at the 2nd Annual Brownsville Marimba Festival. In 2015, Moore was featured as a soloist with the Rio Bravo Percussion Ensemble during their showcase performance at the 2015 Texas Music Educators Association Convention. In 2008, he performed in Ukemerge and Kaunas Lithuania as a soloist with the UCF Percussion Ensemble during the Ukemerge Annual Percussion Festival. Dr. Moore has also held performing positions at Walt Disney World, as a sub-list member of the Baton Rouge Symphony Orchestra, and as a member of the Rhythm -N- Blue Drum Line for the Orlando Magic NBA team.
In addition to teaching and performing, Dr. Moore also extends himself as a composer. Moore's music has been performed across the United States and Brazil. His works have been performed by several university performing ensembles across the United States, some of which include the Rio Bravo Percussion Ensemble, Hamiruge - The LSU Percussion Group, the University of South Carolina Percussion Ensemble, the Kansas State University Percussion Ensemble, the University of Central Florida Percussion Ensemble, as well as several other university and high school ensembles. Most recently, he composed the obligatory marimba solo entitled "Halley's Comet," for the I CONCURSO PARA MARIMBA MAESTRO ZEFERINO NANDAYAPA held in Paraíba Brazil in June 2015. His work, "juNO" was recently featured in Rhythm! Scene - the official newsletter of the Percussive Arts Society. C. Alan Publications and Innovative Percussion Publications publish Dr. Moore's music.
Duo Alea began performing music for bass clarinet and piano in 1996. As both performers searching for new repertoire and teachers working with students eager to develop as performers, it quickly became clear that there was a need for more repertoire featuring the bass clarinet. Filling this need became the mission of Alea Publishing & Recording.
Since our first publication in 1997, the Bach Suites, the Alea catalog now includes well over 200 titles. As performing musicians ourselves, we pride ourselves on the accuracy and quality of our sheet music, as well as our ability to ship directly to customers around the world.
As our catalog grows, we offer an open call for scores - e-mail us for more information! In addition to new works, we are also interested to consider artistic transcriptions for publication. We are proud of the diversity of our catalog in terms of the inclusion of works by composers and arrangers from around the world. We are interested in continuing to expand this diversity, representing musical ideas from around the world.
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