This site is home to Alea Publishing & Recording, specializing in music for the bass clarinet.
We offer a growing catalog of creative, artistic transcriptions and new works for bass clarinet solo & ensemble.
About the Work
60 seconds! is a short, dramatic miniature for solo bass clarinet by Bosnian composer David Mastikosa. In spite of its short duration, the work utilizes multiphonics and slap-tonguing in addition to a handful of rapid runs to show off the broad range and expressive capabilities of the bass clarinet. Extended-range instrument required. 2 pages.
About the Composer
David Mastikosa is a young profilic Bosnian composer. He was born in 1992 in Prijedor, where he started his musical education by studying clarinet and music theory at the Secondary Music School "Savo Balaban" in Prijedor, before moving to Banja Luka to study Composition at the Academy of Arts in the class of Tatjana Milošević Mijanović. At the Banja Luka Academy of Arts he won the 'best student' prize as well as the third prize in the competition for his composition titled "Edict of Milan of 313".
David was elected twice, among the fifteen composers whose works have been performed in concerts that are organized by Vox Novus, held in New York titled "15 Minutes of Fame". His compositions were performed in different countries around the world (Bosnia and Herzegovina, Serbia, Croatia, Italy, Spain, France, the Netherlands, Portugal, Japan, South Africa and the United States), as part of different cultural and musical events (such as: "Dani Vlade S. Miloševića", "Noć muzeja", "XIX Curso Internacional de Clarinete - Julian Menendez", "The Basement Concert", "Make Music New York", "Festival Note tra i Calanchi", International Art Colony "Pliva 2015", "Festival Ruid al Sud" "2015 Kompos Symposium", "Balkan Madness BH edition" and "Dani Avde Smailovića". His composition "Unknown flow" and his music was premiered in 2014 at Branko's Award Ceremony at Sremski Karlovci and by different musicians and ensembles (Sauro Berti - bass clarinet (Italy), Quator Girard - string quartet (France), Matthew Rosenberg - bassoon (USA), Novosadski duvaćki kvintet - wind quintet (Novi Sad), Ken Kunita - bass clarinet (Netherlands / Japan), Robert Botti - oboe (USA), Aleksandra Kopić - flute (Serbia / Bosnia and Herzegovina), Zagreb Soloists - string orchestra (Croatia), Ana Batinica - flute (Croatia), Zagreb Flute Ensemble (Croatia), Bartolomej Stanković - piano (Bosnia and Herzegovina) etc.
He participated in seminars and masterclasses: KompArt 2, Novi Sad 2012; Academie Musicale de Villecroze in 2013, France, Villecroze 2013; Sarajevo Sonic Studio 2013; Workshop for Contemporary Music, Novi Sad 2014; Ruid al Sud, International Festival of Arts, Novi Sad 2015; Workshop for solfeggio, Banja Luka in 2012 and Workshop for clarinet, Gućevo 2010 and he worked with Philippe Hersant, Philippe Manoury, Tamara Basarić, Vinko Globokar, Wolfgang Heiniger, Aleksandra Vrebalov, Alessio Sabella - Composition; Nikola Srdić, Milan Milošević, Đuro Pete - Clarinet; Slavica Smiljanić Marković - Solfeggio.
David was part of Academie Musicale de Villecroze (France) in 2012 and he was a scholar of Fond Dr Milan Jelić, the most important scholarship in the Republic of Srpska. In 2016 he got a special recognition of City of Banja Luka for his contribution to the huge development of art and culture in the city. He is currently studying for a Masters Degree in Composition at the Academy of Arts Banja Luka where he composes classical, electroacoustic and electronic music as well as music for theatre and film.
Since September 2015, David has been working at the Academy of Arts Banja Luka in the position of Teaching Assistant at the Theory Department. His compositions were also published in publishing houses Alea Publishing & Recording (Tacoma, Washington, United States) and Ayotte Custom Musical Engravings (Detroit, Michigan, United States).
The following playlist includes performances by Thomas Aber, Sauro Berti, and Ken Kunita:
Duo Alea, the father-daughter duo of Michael and Kimberly Davenport, began performing music for bass clarinet and piano in 1996. As performers searching for new repertoire and teachers working with students eager to develop as performers, it quickly became clear that there was a need for more repertoire featuring the bass clarinet. Filling this need became the mission of Alea Publishing & Recording.
Since our first publication in 1997, the Alea catalog has now grown to include over 300 titles. We pride ourselves on the accuracy and quality of our sheet music, as well as our ability to ship directly to customers around the world.
We are proud of the diversity of our catalog in terms of the inclusion of works by composers and arrangers from around the world. We are interested in continuing to expand this diversity, representing musical ideas from around the world.
Following Michael's passing in 2019, Kim has taken over solo management of Alea Publishing. In 2020, Alea established the Dolphy Prize, an annual composition award for new works for bass clarinet by black composers.
Would you like to be informed about additions to our catalog and other news? Join our e-mail list!