Review

We thank Lacey Golaszewski for her review of this publication in The Clarinet (September 2022), which reads in part:

We thank Lori Ardovino for her review of this publication in the NACWPI Journal (Spring 2022, Volume 69, Issue 3), which reads in part:

"Three Compositions, Op. 40 is a welcome addition to the clarinet and bass clarinet repertoire. The first two pieces (La Captiva and Berceuse) could be performed by an advanced high school student, grade level 3. Mazurka is more demanding but could be included with the mix. ... This is a beautiful set, skillfully arranged by Dr. Cook. I would program this work on a recital as I’m sure many other professional clarinetists would."

About the Music

Amy Cheney Beach published her Three Compositions op. 40 for violin and piano in 1898, with a subsequent version for cello and piano published in 1903. In transcribing these pieces for clarinet (Bb and A) or bass clarinet and piano, I attempted to remain faithful to both the violin and cello versions.

--David Cook

Hard Copy Edition

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Piano score: 20 pages, spiral bound; parts: 5 pages each, spiral bound. Extended-range instrument NOT required for bass clarinet part.

Listen to the arranger's own performance of the first two pieces:

About the Arranger

Critically praised for “brilliant and stunning” performances, “terrific virtuosic playing,” and “a fine sense of drama,” David Cook is Assistant Professor of Clarinet and Chair of Instrumental Performance Studies at Millikin University, Principal Clarinet of the Millikin-Decatur Symphony Orchestra, and clarinetist for the Appian Duo (with Emily Grabinski, piano) and the Greyline Duo (with Alexandra Rodriguez, flute). Previously a member of the Wichita Symphony Orchestra, the Lawton Philharmonic Orchestra, the Lieurance Woodwind Quintet, and the wind quintet Fiati Five, David has also performed with the Chicago Sinfonietta, Illinois Symphony Orchestra, Sinfonia da Camera, Northbrook Symphony, Champaign-Urbana Symphony Orchestra, Heartland Festival Orchestra, Oklahoma City Philharmonic, Norman Philharmonic, and the Texas Music Festival Orchestra. As a chamber musician, David has performed at Chamber Music Campania and with the Brightmusic Chamber Ensemble and the From the Edge Chamber Music Series. An advocate for contemporary music, David has commissioned and premiered new works from composers such as David Maslanka, Pierre Jalbert, David Biedenbender, Whitney E. George, Cody W. Forrest, Cody Criswell, Garrett Gillingham, and Andy Francis.

David has been recognized in numerous competitions including The American Prize for Instrumental Performance, the American Virtuoso International Music Competition, the Ernst Bacon Memorial Award for the Performance of American Music, the Cynthia Woods Mitchell Young Artist Competition, the Oklahoma Community Orchestra Young Artist Competition, and the White Lake Chamber Music Festival Solo Competition. Past appearances include the International Clarinet Association’s ClarinetFest^®, the College Music Society National Conference, the National Association of College Wind and Percussion Instructors Conference, the American Single Reed Summit, the Amicitia Clarinet Extravaganza, the Clarinet Colloquium at Texas A&M University-Commerce, the KNOB New Music Festival, and recitals across the United States and abroad. His book Clarinet Conditioning: Warm-Ups and Perspectives, featuring contributions from clarinetists including members of the Chicago Symphony Orchestra, Cincinnati Symphony Orchestra, and “The President’s Own” United States Marine Band, is published by Conway Publications and was lauded as “insightful, thorough, comprehensive” and “an incredibly valuable resource for clarinetists.” His research appears in The Clarinet, the NACWPI Journal, and The Instrumentalist.

At Millikin University, David teaches applied clarinet, chamber music, clarinet pedagogy, and clarinet methods. He was previously Instructor of Clarinet at Wichita State University (2016–2018) and Instructor of Music Theory at the University of Oklahoma (2017–2018). He is also a member of the clarinet faculty at Blue Lake Fine Arts Camp, a Programming Coordinator for the American Single Reed Summit, and previously taught as Clarinet Mentor for the Detroit Symphony Civic Orchestra and Central Michigan University’s Summer Music Camp.

David holds Bachelor of Music and Bachelor of Music Education degrees from Central Michigan University, Master of Music degrees in clarinet performance and chamber music from the University of Michigan, and the Doctor of Musical Arts degree in clarinet performance and the Master of Music degree in music theory from the University of Oklahoma. His principal teachers include Suzanne Tirk, Chad Burrow, Theodore Oien, and Kennen White. David is a Buffet Crampon USA Performing Artist and a member of the Silverstein Works PRO Team, performing exclusively on Buffet Crampon clarinets and Silverstein Works ligatures.